Community Thursdays
Apr. 30th, 2026 01:35 pm* Posted "Birdfeeding" in
* Commented on "Just One Thing" in
* Commented on "Check-In Post - April 29th 2026" in
More about the LCC and the Arts: The LCC and the Arts II: the ‘Patronage of the Arts’ Scheme
If the government is serious in its stated aim of strengthening the social contract, it needs to act now to support and sustain the study and practice of history across all sectors of education, in communities and in public discourse. If we are to collectively ‘protect what matters’, we challenge educational leaders, policy makers and politicians to protect and defend history.
and
New strategic vision for archives highlights how BBC Written Archives Centre falls short:
{W]e profoundly regret the decision to stop responding to enquiries from members of the public. Also, it is entirely unsatisfactory that physical access for researchers via the Caversham reading room has been reduced from three to just two days each week.
Moreover, we disagree with WAC limiting use of its facilities to just ‘writers who have been commissioned to write a book or article; those undertaking research for a commercial project, [and] academics in higher education undertaking accredited research.’ The restrictions are detailed here, and are more tightly focussed than has been the case in the past.
This is a fascinating piece on how people engage with 'dark tourism experiences': visits shaped less by exhibits, explanation panels and audio guides, and more by interactions with other visitors
This, however, is grim reading: What I Saw Inside the Kennedy Center: 'I spent 10 months working at the institution because I thought I could help protect it. What I observed there is far worse than the public knows'.

What I read
Finished The Tunnel (Pilgrimage #4).
Finished Tehanu.
Both of these were put aside to gulp down two of the honestly least memorable of Robert B Parker's Spenser thrillers, Double Deuce (#19) (1992) and Thin Air (#22) (1995) (I even skipped the inset passages from kidnapping victim's viewpoint) which was basically the equivalent of needing a stiff drink after wrestling with the 'prove you are a real person with verified identity' app last week.
Also read classic noir by William Lindsay Gresham, Nightmare Alley (1946), as having been wanting to do so since we watched a movie version some while ago. Very bleak - and the central character is profoundly unsympathetic even by noir standards.
Also another Parker, Back Story (#30) (2003), a bit less dire - part of that subgenre that was going around at the time in mysteries/thrillers, whereby something that happened in the heated days of the 60s/70s has repercussions or case is reopened or whatever.
On the go
Back to Ursula and Tales from Earthsea.
Up next
Maybe continue with Earthsea, maybe not.
Posting a bit early because I will be on vacation until it's time to do another one of these, and doing a whole month at once is too daunting.
K.J. Charles, Unfit to Print. Quite short mystery and m/m romance, with intense conversations between the characters about what kinds of pornography are and are not exploitative. Not going to be a favorite but interesting at what it's doing.
Agatha Christie, The Unexpected Guest. Kindle. I've read Agatha Christies before, and this sure is one. Absolutely chock full of loathsome people and not particularly great about disability. Jazz hands.
Peter Frankopan, The Silk Roads: A New History of the World. Kindle. I finished reading this just so I could complain about it accurately. My God what a terrible book. I wonder if I should be skeptical of all "new histories of the world." I suspect so. The thing is that he does such a completely terrible job of actually talking about the Silk Road that this is still largely a book about the British and American empires, but not a detailed accounting of their presence in the region. Partition of India? never met her. Chinese Communist Revolution and Cultural Revolution? how could that possibly matter, probably not worth the time. What. Sir. So many things I would like to know about Central Asia and still do not know, because Frankopan fundamentally does not care. Not at all recommended, I read it so you don't have to.
Alaya Dawn Johnson, Reconstruction: Stories. Kindle. Some really lovely and vividly written stories here. Not all to my taste, but it's rare that a collection is.
Ariel Kaplan, The Kingdom of Almonds. I really just love getting to write "the thrilling conclusion." I really do. Don't start here! This is the third book in its series, it is the thrilling conclusion! Start at the beginning, the beginning is still in print, and this is going to wrap things up nicely but you won't know how nicely if you don't read the whole thing.
E.C.R. Lorac, Death Came Softly and The Case in the Clinic. Kindle. Cromulent and satisfying Golden Age mysteries, with Golden Age assumptions but not as bad as in your average, oh, say...Agatha Christie.
Megan Marshall, Margaret Fuller: An American Life. Kindle. Well-done bio of a fascinating person, lots of what was going on with the Transcendentalists, early American feminism, loads of people you'll want to know about and then Fuller herself trying to fight her way through a system entirely not set up for people even remotely like her. She's part of how that changed, and she died a horrible death fairly early all things considered, and Marshall handles that reasonably as well.
David Thomas Moore, ed., Not So Stories. Kindle. The real stand-out piece for me in this book was Cassandra Khaw's, which opened the volume. What a banger of a story, and how perfectly she nailed the Kipling-but-modern brief. Worth the entire price of admission. (Okay, this was a library book, so my price of admission was free. Still, though.)
Anthony Price, The Hour of the Donkey, The Old Vengeful, and Gunner Kelly. Rereads. I am finding the middle of this series less compelling on reread than the early part. I don't remember the individual late volumes well enough to say whether it just went off a cliff never to return or whether it will bounce back a bit before the end. One of the problems is that I am just not that keen on his WWII stories (The Hour of the Donkey), and he keeps trying to write women and doing it badly. Anthony, apparently you spend all your time with plain women thinking how plain they are, but it turns out that many of them have other things on their mind, and thank God for that. Sigh.
Una L. Silberrad, Princess Puck. Kindle. What a weird title, it's a nickname that one character gives the protagonist and only he uses. This feels like...it feels like it's got the plot of a Victorian novel but even though Queen Victoria has just died five minutes ago, Silberrad can no longer really take some of the Victorian axioms quite seriously. She is very thoroughly an Edwardian at this point, in all the ways that felt modern and challenging at the time, and as much as I love a good Victorian novel, I'm all for it.
Maggie Smith, Good Bones. Kindle. I always feel odd when the best poems in a volume are the ones that got widespread reprinting, but I think that's the case here. And...good? that many people should have seen the best of what's in this? I guess?
D.E. Stevenson, Spring Magic. Kindle. This is such an interesting reminder that during WWII people were still writing upbeat contemporary novels sometimes. A young woman goes and finds a life by herself, away from the crushing control of her aunt, near a military outpost during World War II, and nearly all the other characters are highly involved with the war. But it doesn't have that fraught feeling that books with that plot would have if the war in question was over. We have to be sure that the proper characters will have a quite nice time, because the target readers are in the same situation and would prefer to think more about introducing small children to hermit crabs, figuring out something useful to do, and resolving romantic difficulties than about, hey, did you know that death is imminent? So. Possibly instructive for the present moment in some moods. Not a hugely important book, which is fine, they don't all have to be.
Anthony Trollope, The Eustace Diamonds. Kindle. Dischism is when the author's interiority intrudes on the narrative, and gosh were there several moments when I could see Trollope's own mental state peaking through regarding the titular objects. "She was tired of the Eustace diamonds." "He wished he had never heard of the Eustace diamonds." Shh, it's okay, Anthony, we get it. Because yes, this is not a title tossed off about something that's only peripheral to the story. The Eustace diamonds are absolutely central to the narrative. The thing that's fascinating to me is that the entire plot depends on a sensibility about heirloom and ownership that was as completely foreign to me as if the characters had been going into kemmer and acquiring gender. They are fighting about whether the titular diamonds are properly the property of a toddler or of the mother who has full physical custody of him. And Trollope makes that fight clear! It's just: wow okay what a world and what assumptions.
Darcie Wilde, The Secret of the Lost Pearls. Kindle. This is not the last in this series, but it's the last one I got a chance to read, and honestly I think it's the weakest of the lot. Wilde (Sarah Zettel) still and always has a very readable prose voice, but it felt a bit more scattered to me than the others--so if you're reading this series in order and wonder if it's going downhill, no, it's just that it's quite hard to keep the exact same level for a long series.
